Which means that this tool that was created for podcasting, works great on your audiobook audio as well.
Why? Because the levels have been adjusted so that they are uniform – uniformly louder. The Levelator scans your original audio, adjusts the levels of the audio as it goes along, and when it’s all done, creates a new version of your audio that, well, just sounds better. A group of podcasters, led by Doug Kaye, created it a few years ago to solve a thorny interviewing-over-the-internet issue: two people talking on a podcast at different levels with different microphones.
Levelator 2 download how to#
So, I now also teach others how to use it, both in the VO2GoGo curriculum and in the project I do with Dan O’Day, the ACX Master Class. There’s yet another tool that I use, that has been orphaned from its previous use, but still works great. In ProTools, you can use RMS normalization, as described in ACX’s production and mastering standards: One solution is to add compression to your audio, either with a microphone pre-processor, or in your sound software. These two facts are at odds with one another. And from that world, comes a tool that is very useful if you’re reading audiobooks, especially if you want to be compliant with ACX standards in one simple step.īecause audiobooks are listened to by people in high noise environments (cars, trucks, planes, etc), it’s imperative that every single word you say as an audiobook performer gets heard.Īnd sometimes, when you have a microphone with little or no pre-processing, the levels you speak at can vary greatly. Lawrence XVII on Apin ArticlesĪ lot of people consider me to be one of the very first people to podcast.
0 kommentar(er)
